The full Bangkok Bound trip is now up for everyone to enjoy. Had such a blast on this trip. Huge thanks to Zane and Bombtrack for getting me out there. Great memories with great dudes. CHECK IT
Johnathan Ball
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sMc Presents | SILVERADO NIGHTS
The past week we’ve been to the Silverado skatepark in Long Beach three times trying to bust out an edit since it’s been a bit since we’ve dropped anything. Even though it’s small, there’s a lot of possibilities for what can be done there. Some serious work went in to this one. Check it out. Miguel is a fucking machine.
Thanksgiving Throwback
This edit I made with Corey on Thankgiving is now 3 years old. Crazy. Happy Thanksiving duders.
BLISSTAPE V.2
Corey San Agustin just dropped the second installment of “Blisstapes”. These have yet to disappoint. So many solid iPhone clips from such a variety of riders with different styles makes for a really entertaining edit to watch a few times over. Too much pegless sickness going on in here. Soundtrack on point too. If you missed the first one, check it out here!
Chop Em Down Films | BANGKOK BOUND Teaser
The official teaser for the “Bangkok Bound” video (AKA Thailand Takeover) from when myself, Steven Jensen, Josh Boothby, Anthony Combs, Devon Lawson, Jonathan Davis, and RSK took a trip out to Bangkok to film and ride is out. Perfect lyric matching. Stoked to see the final product form this.
Royal HC | One Day w/ Marco & JBall
Here’s some footage that we got a year ago on an outing with myself, Royal HC, and Marco Marquez. Even a year later, the footage is still really good. Marco’s wheelie 3 was insane. Virtually untouched by other riders. (Jimmy Watcha in “Word Is Bond”) Check it out. I always dig raw footage.
Rewind | Quickie
Been riding my cutter a bit lately and learned some new tricks, so I got stoked and put together this quick little tarck bit.
Bombtrack Bicycle Co. | 2015 Catalogue
Johnathan Ball | Wallride
Went back to this wall and got a little higher than last time for a sweet photo. Real stoked on how this came out. Photo by Phil Arellano, like always.


